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Diana's
Life |
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Diana
Groe
learned elements of storytelling while singing opera professionally. To prepare for her roles, she dug deep into her
characters, devising back stories and alternate endings. So
many operatic heroines come to a bad end. Diana's heroines get
to live and keep the guy! What a nice change!
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Diana
as "Rosalinde" in Strauss' DIE FLEDERMAUS
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When Diana
took creative writing in college, her professor called her writing
lyrical, but Dr. Barclay found a major fault. "Your problem, my
dear," she said, "is theme. You don't have one." Unfortunately, she
was right.
Since Diana's debut novel
MAIDENSONG
hit the
shelves in May 2006, love has been her theme. Is there a more
complex relationship than the one between lovers or a journey more
fraught with peril than the trek from one heart to another?
How's that for a theme, Dr. B? |
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MAIDENSONG,
ERINSONG
and
SILK DREAMS
are dramatic, epic
historical romance. When Diana was ready for something different and
dying to write a comedy, her editor gave her the nod.
The result was
DISTRACTING THE
DUCHESS,
a Victorian romp. The style was such a departure from Diana's
previous work, her editor suggested a new pen name.
Emily
Bryan was born.
We all need a
mix of light and dark, joy and sadness to stay balanced. Diana
hopes you'll find room on your bookshelves for both her
incarnations. Look for
DISTRACTING
THE DUCHESS and watch for
PLEASURING THE PIRATE,
coming July 29th to a bookstore near you!
www.emilybryan.com
www.emilybryan.blogspot.com |
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